The Marine room of the Peabody Museum of Salem . plate published in London,1817. C. Also, a large water-color painting by Ross Turner,1890, representing the battle at sunset, looking towards to certain inaccuracies of detail, Mr. Turner preferredto call the painting Naval Engagement: a study. C. Also,aquatint by Jeakes after Thomas Whitcombe. This memorablenaval battle was witnessed at a distance by Salem people fromthe South church steeple and from Leggs hill and other pointsof vantage along the shore. Accounts of the funeral of and Lt. Ludlow in Salem, when their bo
The Marine room of the Peabody Museum of Salem . plate published in London,1817. C. Also, a large water-color painting by Ross Turner,1890, representing the battle at sunset, looking towards to certain inaccuracies of detail, Mr. Turner preferredto call the painting Naval Engagement: a study. C. Also,aquatint by Jeakes after Thomas Whitcombe. This memorablenaval battle was witnessed at a distance by Salem people fromthe South church steeple and from Leggs hill and other pointsof vantage along the shore. Accounts of the funeral of and Lt. Ludlow in Salem, when their bodies werebrought from Halifax by the Salem ship-masters associatedwith Capt. George Crowninshield, and their temporary entomb-ment in Salem until removed to New York, may be found inthe Sketch of Salem, by Osgood and Batchelder (p. 52) and inother local and general histories. E. S. Maclay in History ofthe U. S. Navy, vol. I, p. 466, incorrectly states that thebodies of Lawrence and Ludlow were taken to Boston andfuneral services held there. 6o. CAPTURE OF THE FRIGATE ESSEX BY H. B. M. PHOEBE AND CHERUBVALPARAISO. CHILE. 1814Painting by George Ropes, 1815.
Size: 2021px × 1237px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1920, booksubjectnavalartandscience
