. International studio. CASE ENCLOSING CHAMPLEVE ENAMEL AND EXECUTED IN BEATEN STEELWITH COPPER BANDS AND MOONSTONES BY Miss DE C. LEWTHWAITE DEWAR 137 Studio-Talk is in keeping withthe restraint thatcharacterises theoutside of thecasket. Within,the rich cham-pleve enamelwith sumptuouslustre, is in strik-ing contrast,typical of the-varying moods ofthe artist. Thesmall casket insilveroid on thispage, set. withlumps of enamelas jewels held inposition by jjer-forated straps of copper, represents a successfulexperiment in enamelling. J. T. P.\—At the Salon des Artistes Fran^
. International studio. CASE ENCLOSING CHAMPLEVE ENAMEL AND EXECUTED IN BEATEN STEELWITH COPPER BANDS AND MOONSTONES BY Miss DE C. LEWTHWAITE DEWAR 137 Studio-Talk is in keeping withthe restraint thatcharacterises theoutside of thecasket. Within,the rich cham-pleve enamelwith sumptuouslustre, is in strik-ing contrast,typical of the-varying moods ofthe artist. Thesmall casket insilveroid on thispage, set. withlumps of enamelas jewels held inposition by jjer-forated straps of copper, represents a successfulexperiment in enamelling. J. T. P.\—At the Salon des Artistes Fran^aisthis year, the work of M. Vila y Prades,a young Spanish artist of considerabletalent and a robust style, attracted previous contributions already made us ac-(juainted with his undoubted gifts, and notablyhis large triptych called Le dernier Ami,a mournful page from Breton life. It hasnot, however, been this side of his art that has. announced his arrival. Of Spanish descent hefinds in the subjects of his own country the bestexpression of his art. This fact he has brilliantlyattested this year in his large work Le Depart, anepisode from the races at Valencia in the eighteenthcentury, and of which further description is ren-dered unnecessary by the reproduction whichaccompanies these notes. It is the work of abrilliant colourist, who has broadly and boldly TIMEPIECE IN BEATEN HRASSJiV MARION H. WILSON
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