International studio . ken for originality. If an artist has originality,he writes, he need never fear that it will remainunexpressed. . The greater his personalityand the more natural his expression, the greaterwill be this effect. After reviewing the historicperiods of architecture from the Egyptian tothe English Renaissance, the author turns to Having an idyllicsense of colour, sun-light and the pastorallife surrounding farmsteadings and theintimate woodlandsperhaps captivate himmost, as it is in suchsimple subjects thatone finds the greatestindividualism as wellas distinct personalityof th
International studio . ken for originality. If an artist has originality,he writes, he need never fear that it will remainunexpressed. . The greater his personalityand the more natural his expression, the greaterwill be this effect. After reviewing the historicperiods of architecture from the Egyptian tothe English Renaissance, the author turns to Having an idyllicsense of colour, sun-light and the pastorallife surrounding farmsteadings and theintimate woodlandsperhaps captivate himmost, as it is in suchsimple subjects thatone finds the greatestindividualism as wellas distinct personalityof the artist. In hissmaller spontaneousfigure pastorals especi-ally there is a charmthat endures. Whetherhe will ultimately becounted with the rareartists of the genre hehas chosen, it is tooearly to say; still inthe springtime of lifemany years, it may behoped, lie before him,and what he has doneand is still doing showshim to be no self-satisfied wayfarer onthe uphill road he hasvoluntarily chosen tofollow. E. A. ?y of J. Kiiiiiaird, Esq ) uv \v. 11. ci
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