U and I . , en-titled Risk Takers in the Old West, pre-sented a boys quartet and a solo by MarciaGreenwold. Accessibility and Interactionin the Far West, the following scene, re-vealed a bar room chorus line. The nextscene was a temperance meeting outside ofSam Slades Saloon. In scene five, MikeWiese, a patent medicine peddler, per-suaded a crowd of the value of his question-able product, and wooed the town sweet-heart, Lois Shapland, who responded withthe song I Caint Say No. A revivalmeeting with a fiery sermon by SteveChilton ended the program. The script was written by the juniorclass. The

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U and I . , en-titled Risk Takers in the Old West, pre-sented a boys quartet and a solo by MarciaGreenwold. Accessibility and Interactionin the Far West, the following scene, re-vealed a bar room chorus line. The nextscene was a temperance meeting outside ofSam Slades Saloon. In scene five, MikeWiese, a patent medicine peddler, per-suaded a crowd of the value of his question-able product, and wooed the town sweet-heart, Lois Shapland, who responded withthe song I Caint Say No. A revivalmeeting with a fiery sermon by SteveChilton ended the program. The script was written by the juniorclass. The juniors were busy during theChristmas holidays rehearsing, makingcostumes, painting backdrops, and search-ing for props. Sam Heins served as direc-tor, with Marcia Hull as his Greenwold was production consult-ant. The overwhelming success of theassembly was due largely to the classsponsor, Mr. Pulliam. The show not onlyentertained the student body, but alsoboosted the junior class Steve Chilton, revivalist preacher, leadsrepentant sinners in a plea for salvation.

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Keywords: ., bookauthoruniversi, bookcentury1900, bookdecade1920, bookyear1921