Fifty-eight paintings by Homer DMartin . blend of gray?white andpale blue, reflecting a sky which bears these tones ofsummer throughout, wide?spreading over a landscapemarked by the notes of advancing fall. The farthershore of the lake is visible toward the left, in the dis*tance. Signed at the lower right, H. D. Martin, 1884. From the Collection of William T. Evans, who obtained the canvas from theartist. PROPERTY OF GEORGE BARR McCUTCHEON, ESQ. (45) CREPUSCULE-MONTVILLIERS Height, 19% inches; width, 24 inches A country Kouse set in a little copse of trees, uponan eminence, is seen again^ tKe


Fifty-eight paintings by Homer DMartin . blend of gray?white andpale blue, reflecting a sky which bears these tones ofsummer throughout, wide?spreading over a landscapemarked by the notes of advancing fall. The farthershore of the lake is visible toward the left, in the dis*tance. Signed at the lower right, H. D. Martin, 1884. From the Collection of William T. Evans, who obtained the canvas from theartist. PROPERTY OF GEORGE BARR McCUTCHEON, ESQ. (45) CREPUSCULE-MONTVILLIERS Height, 19% inches; width, 24 inches A country Kouse set in a little copse of trees, uponan eminence, is seen again^ tKe early evening , ju^ to the rigkt of the buildings, bangs tbe newmoon. In tbe foreground a brook wanders at tbe footof tbe rising ground, tbrougb an open meadow, tbetrees and tbe sky refledledin its sbining surface. Tbiscanvas, painted by Martin in France, was given bybim, in payment for work, to an American dentinresiding tbere, a Dr. Sizer. Signed at the right, and dated, H. D. Martin, OF WILLIAM H. SAGE. lib.


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Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookcentury1900, bookdecade1910, bookidfiftyeightpa, bookyear1913