. Studio international . anna Mehls, and Eva Stort joy in simplified design and strongcolour, in reminiscences of peasant art,was a general feature. The Art Gallery offered about threehundred exhibits, including plastic andgraphic works. As a rigorous policy ofsifting was pursued by the jury, thetotal display was to be regarded as arepresentation of Germanys artisticfemale elite. The average quality wasgood, but a particularly favourable im-pression was made this time by thetalent of Ida Stroever, who gainedhonours in the line of monumental was nowhere else discernible; t
. Studio international . anna Mehls, and Eva Stort joy in simplified design and strongcolour, in reminiscences of peasant art,was a general feature. The Art Gallery offered about threehundred exhibits, including plastic andgraphic works. As a rigorous policy ofsifting was pursued by the jury, thetotal display was to be regarded as arepresentation of Germanys artisticfemale elite. The average quality wasgood, but a particularly favourable im-pression was made this time by thetalent of Ida Stroever, who gainedhonours in the line of monumental was nowhere else discernible; theGerman women artists ofto-day here showed them-selves very decidedrealists, portraiture andthe naturalistic^^?-! beingtheir preferred tasks. Afew only had renderedtheir subjects under thespell of poetic Reikes group ofhappy young girls engagedin winter sport attractedsympathy, and this suc-cess was deserved onaccount of the naturalnessof form and the buoyanttemperament artists of renown,324. MI. LOW-LACE BY LENI MATTHAEI were particularly enjoyable. Some still-life andflower pieces by Elise Hedinger, Emmi Rose,
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
