View of a studio the final week before the exhibition, from 'Parisian sketches,' published in Le Charivari, April 1, 1864 April 1, 1864 Honoré Daumier - If they are not pleased with this Venus, they are really difficult. We are sparing neither color nor provided that it dries, dear God! - What does it matter if it's not dry, it's Venus rising from the sea!. View of a studio the final week before the exhibition, from 'Parisian sketches,' published in Le Charivari, April 1, 1864. 'Parisian sketches' (Croquis Parisiens). Honoré Daumier (French, Marseilles 1808–1879 Valmondois). Apri


View of a studio the final week before the exhibition, from 'Parisian sketches,' published in Le Charivari, April 1, 1864 April 1, 1864 Honoré Daumier - If they are not pleased with this Venus, they are really difficult. We are sparing neither color nor provided that it dries, dear God! - What does it matter if it's not dry, it's Venus rising from the sea!. View of a studio the final week before the exhibition, from 'Parisian sketches,' published in Le Charivari, April 1, 1864. 'Parisian sketches' (Croquis Parisiens). Honoré Daumier (French, Marseilles 1808–1879 Valmondois). April 1, 1864. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762–1841). Prints


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Photo credit: © MET/BOT / Alamy / Afripics
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