Introduction to playing from score . ey4-clarinet, transposition into the key of the upper fifth,i. e.: I J must be prefixed, which together with the 3 :^ ofA major makes up the 4 ^ of ^ major. Whilst reading a part written in transposing notation,such as that of the clarinets in Ex. 14, it is desirable, forthe purpose of control, to recall to one^s mind nowand again, especially when accidentals occur, the distance 2o THE EXA CT REPROD UCTION ON THE PIANO OF COMPOSITIONS. from the fundamental tone, B \;, ex. g.: ^e may be iden-tified as third of I? flat, {^^)\ likewise g\?—gt\ will, astransiti

---

Introduction to playing from score . ey4-clarinet, transposition into the key of the upper fifth,i. e.: I J must be prefixed, which together with the 3 :^ ofA major makes up the 4 ^ of ^ major. Whilst reading a part written in transposing notation,such as that of the clarinets in Ex. 14, it is desirable, forthe purpose of control, to recall to one^s mind nowand again, especially when accidentals occur, the distance 2o THE EXA CT REPROD UCTION ON THE PIANO OF COMPOSITIONS. from the fundamental tone, B \;, ex. g.: ^e may be iden-tified as third of I? flat, {^^)\ likewise g\?—gt\ will, astransition from the diminished to the perfect fifth of ^b,give / b and / |^ as the right notes. Raff would morecorrectly have written /^—g (4^ 5) in the clarinet partsto correspond with the ^—c of the first horn part, orotherwise he should have written c\^—c in the horn part^but to this he probably had an objection. 2 Corniin D V. i< 15. Beethoven. 9th Symphony. (Scherzo.) I E 12222: 3=2^7?—-^- -Jl ::_<2- ^ feE^zE^E 1=tr. ^^. V. 2 :A 0-^-r—0--0—-S *-

---

Size: 2722px × 918px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookauthorriemannh, bookcentury1900, bookdecade1900, bookyear1904