. International studio. ibition interesting, amongwhom should be named AliceSzmik, who sent a capital interiorin pastel, and Madame Fris-chauer, whose talent was attestedby a portrait. AN Ol,U door (etchinc.) 74 IIV IRilK. RAlSCHFR I must pass over the workcontributed by leading etchersof other countries. The ex-hibition was not, however, com-pletely international, for Austriaand Ciermany were practicallyleft out in the cold. Had thesecountries been adequately repre-sented the exhibition wouldhave gained greatly in interestand its title would have beenjustified. One was glad, how-ever,
. International studio. ibition interesting, amongwhom should be named AliceSzmik, who sent a capital interiorin pastel, and Madame Fris-chauer, whose talent was attestedby a portrait. AN Ol,U door (etchinc.) 74 IIV IRilK. RAlSCHFR I must pass over the workcontributed by leading etchersof other countries. The ex-hibition was not, however, com-pletely international, for Austriaand Ciermany were practicallyleft out in the cold. Had thesecountries been adequately repre-sented the exhibition wouldhave gained greatly in interestand its title would have beenjustified. One was glad, how-ever, to .see so much good workdone by young Hungarianartists, who in spite of havinglearnt in various schools havetheir own personal touch whichshows in its freedom, itsfreshness and a commendableabsence of conventionalmethods. A. S. L. — The RoyalAcademy has beenopening its galleriesto the Old Master Ex-hibition of the KriedrichMuseum Verein. This society,the supporter of the royal studio • Talk. GANYMEDK BY CARL MAX REBEL I museums, on this occasion only showed the posses-sion of about two dozen members, and the delight-ful collection considerably enhanced the interest ofthe interval between the de{)arting winter seasonand the newly prepared annual summer exhibi-tions. We were able here to enjoy the ennobledtruthfulness of Bruyn and Krigel, Morelse andTerborch, as well as the delicate work of Nattierand Rigaud, and the sombre beauties of and Rembrandt were represented by someprominent examples of their various phases,Rubens and Van Dyck by fine earlier portraits ;and the grand spirit of the Renaissance spokethrough Raphael, Bronzino and Titian. Portraitspredominated in the exhibition, but some masterlystill-life pieces created a pleasant variety. Theincreasing number of classical treasures in Germanprivate possession is quite astonishing. At the Keller and Reiner Salon recently Carl MaxRebel again presented himself with a numerous col-lection
Size: 1791px × 1395px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
