A new history of painting in Italy : from the II to the XVI century . Berenson) ; in the Morelli Gallery at Bergamo(No. 6), a Head of a Saint; in the Municipio at S. Marino, two panels of FranciscanSaints (Ricci) ; in the Bishops Palace at Camerino a predella representing Pentecost(Berenson). MB. BEBENSON also ascribes to NiccolS a standard in the Gallery ofAngouldme (No. 2) ; a Pieta in that of Bayeux (No. 27A) ; a S. Bernardino, dated1497, at Buda-Pesth (No. 82) ; an Annunciation (No. 277) at Tours. ConteUmberto Gnoli further gives to the master an Assumption in the church of Alviano,and a s
A new history of painting in Italy : from the II to the XVI century . Berenson) ; in the Morelli Gallery at Bergamo(No. 6), a Head of a Saint; in the Municipio at S. Marino, two panels of FranciscanSaints (Ricci) ; in the Bishops Palace at Camerino a predella representing Pentecost(Berenson). MB. BEBENSON also ascribes to NiccolS a standard in the Gallery ofAngouldme (No. 2) ; a Pieta in that of Bayeux (No. 27A) ; a S. Bernardino, dated1497, at Buda-Pesth (No. 82) ; an Annunciation (No. 277) at Tours. ConteUmberto Gnoli further gives to the master an Assumption in the church of Alviano,and a second picture with the same subject at Lugnano (see Emporium for February1909). Mr. Perkins gives to Niccolb four panels of Saints in the church of S. Mariain Piazza at Sarnano.] 1 There were many, there are still productions of these years at Foligno andin neighbouring places. The following, for instance :— Foligno, S. M. infra Portas. This church still contains some of the paintingsof which it was of old full—a S. Jerome crowned by two angels (half-length), a. i oQ WO w oft. Q .0jO
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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondondent, bookyea
