. International studio. eens This is unfortunate. But coming late alter thetrue Impressionists, at a time when the individual-ity of an artist has become again fashionable andthe greater part of his art, Charreton has passedthrough the worst of that which Impressionism have given place to browns and grays and white, brought with it, the scientific attitude. I le si He understands how to employ the different to be definitely tending toward a poetic expn gradations of tone, combining one quality with in color. Whether Ik- achieves this or not, it i another, balancing that value against this, so
. International studio. eens This is unfortunate. But coming late alter thetrue Impressionists, at a time when the individual-ity of an artist has become again fashionable andthe greater part of his art, Charreton has passedthrough the worst of that which Impressionism have given place to browns and grays and white, brought with it, the scientific attitude. I le si He understands how to employ the different to be definitely tending toward a poetic expn gradations of tone, combining one quality with in color. Whether Ik- achieves this or not, it i another, balancing that value against this, so that surely enough for him to be a faithful nd to his canvases sing with color. Not the least part of give us the tangible pleasure of his brigl his effectiveness lies in his concentration of empha- ings. One dors not need to read a I* ophic sis where it has dramatic effect, as in the Rays of book in order to find it is pleasure to Autumn—in Morning Mist in which the warm to others. APRIL I922 one tb inceRrtAcionAL KU. PORTRAIT OF J. ALDEN WEIR BV JOHN FLANAGAN PORTRAIT OF D. C. FRENCH BY JOHN FLANAGAN c 101 IN ¥LANAGm~Sculptor andJVLedalist
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
