Text-book of simple and double counterpoint including imitation or canon . \^-^- i^pj^ -(•-•- :1si=:d ^m s^srt i^^s -s^s^- I5=js=:?u ^ » 1 ^^^^^^^^m i^^^^^^=^^^^ gg^^^ ±^.. 100 I. SIRIPLE COUNTERPOINT. The same four-voiced with inversion of the voice-parts:172. A. C. Cpt. py=?=4==i -f—f-f-- ^ ^=i=gE^ s 3^ =]-- -^-» I -i^ # E3: BgEgglg^g^ ^ -(?—#- I?V imsE^m Ct -#-? =] ;^—I k^^^^^ ^^S -?^^-tt -I—f—i- -it^-th ^=t- ss Stp3t_^I- :5=t -I N,» ^2=t= 1^^^5=4^ * l-^-i > d I -jl 1 srife^ -f^r^ •-*- iS^^^fejEfeggffi^j^ -i- 1—•-*- -^-4^ |S^^gEE;^=££ ±.t^ ¥^^ =i=*=J^-^^J3^ II i^^=^^^i

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Text-book of simple and double counterpoint including imitation or canon . \^-^- i^pj^ -(•-•- :1si=:d ^m s^srt i^^s -s^s^- I5=js=:?u ^ » 1 ^^^^^^^^m i^^^^^^=^^^^ gg^^^ ±^.. 100 I. SIRIPLE COUNTERPOINT. The same four-voiced with inversion of the voice-parts:172. A. C. Cpt. py=?=4==i -f—f-f-- ^ ^=i=gE^ s 3^ =]-- -^-» I -i^ # E3: BgEgglg^g^ ^ -(?—#- I?V imsE^m Ct -#-? =] ;^—I k^^^^^ ^^S -?^^-tt -I—f—i- -it^-th ^=t- ss Stp3t_^I- :5=t -I N,» ^2=t= 1^^^5=4^ * l-^-i > d I -jl 1 srife^ -f^r^ •-*- iS^^^fejEfeggffi^j^ -i- 1—•-*- -^-4^ |S^^gEE;^=££ ±.t^ ¥^^ =i=*=J^-^^J3^ II i^^=^^^i^=2E^^^^ iss^s ic £3E ^ ^=^ I § 13. THREE AND FOUR-PAET COUNTERPOINT, &c. 101 In conclusion, let us make three and four-voiced workings-out of our e major example (No. 95): 173. 2. Cpt. (1. Cpt. i==iii:f=r=#=3=»=r!=z:U=±=5=p==U: i^^££ -•—/ •0- -m .iA_j6. -icr-« t? tt|^£3^ p^ -k*—t -^-•- :S3r: *Ei i^Ht lEEi: i§i £ hb—^. ^^^^^^^E^m ti:: and four-voiced witli inversion of the voice-parts:174. 2. Cpt. 3. Cpt.

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectcounterpoint, bookyea