Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional . kon the edge the point where it istouched by the centre line drawn downthe mould ; from this mark, by means of a square, draw a lineacross the strip, as described on page 233, fit the other lowerbout similarly, and if your marking and cutting have been trueto the centre line of the mould, a perfect join will be the join being thus made, and the ends of the lower bouts freedand cleaned f
Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional . kon the edge the point where it istouched by the centre line drawn downthe mould ; from this mark, by means of a square, draw a lineacross the strip, as described on page 233, fit the other lowerbout similarly, and if your marking and cutting have been trueto the centre line of the mould, a perfect join will be the join being thus made, and the ends of the lower bouts freedand cleaned from glue, linen, etc., soap the sides of the mould(carefully avoiding the blocks), and coating the bottom blockand the still exposed surfaces of the lower corner blocks and thebevel at the ends of the cs with glue, fix the lower bouts to themould by means of cramps with the cramping blocks 6, 7, and8, Plate V., in the same manner and position as you fixed thecs. The upper bouts are next fitted in a precisely similarmanner, only that you need not trouble to make a close join atthe top. Now cut down the projecting pieces of the corners,and make them square to the mould, as in Fig. 180, by means. Fig. 180.—Finishing the cornerblocks and joining the ribs.
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Keywords: ., bookcentury1800, bookdecade1880, bookpublisherlondo, bookyear1885
