. Moving pictures : how they are made and worked. er marshals those requiredin the scene and explains precisely what he wants eachartist to do. The business on the stage is demonstrated,and those in waiting are told just how to make their en-trances, and all exits are indicated very concisely. Thestage-manager rehearses the first episode before those con-cerned, to convey a general idea of his requirements, andthey immediately repeat it. No dialogue is written, butthe actors of professional experience realise what words aredemanded for different situations, and accordingly extem-porise as they
. Moving pictures : how they are made and worked. er marshals those requiredin the scene and explains precisely what he wants eachartist to do. The business on the stage is demonstrated,and those in waiting are told just how to make their en-trances, and all exits are indicated very concisely. Thestage-manager rehearses the first episode before those con-cerned, to convey a general idea of his requirements, andthey immediately repeat it. No dialogue is written, butthe actors of professional experience realise what words aredemanded for different situations, and accordingly extem-porise as they proceed. In the reproduction the movementof the lips renders the action distinctly more conclusive andrealistic; moreover, the enunciation of suitable dialogueinduces the correct facial expression, one of the most im-portant requirements in the picture play, and the audiencemust at times derive from it the significance of the situation. In this fragmentary manner the producer carries thecompany through the incident, and it is now rehearsed time. THE FIGHT FOR THE BOATS IN •ATLANTIS.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherphiladelphiajblipp
