The barber of Seville; a comic opera in two actsThe overture and new music composed, and the whole adapted to the English stage by MrBishop . ye imitate hogs )e beating jthe dogs ?are ye some bucks that are silence, good man)ou can i make the noise-L.:^?nds, yoor to* iadonejHeres your cl^lwFatt&ell!—begone ! 3Iany thanks, s\ foyUis master, nci I _7cj je for. ur throats fiy for* Never did we sL Efer, sir, epftimanaWe will evening, and. everaiiO/iives One wholes us gold foknotes I Vf Silencafisilence, cease yourliwliug,Noptfke cats witfo caterwaulifikTake the neighbours—stop yo£.\
The barber of Seville; a comic opera in two actsThe overture and new music composed, and the whole adapted to the English stage by MrBishop . ye imitate hogs )e beating jthe dogs ?are ye some bucks that are silence, good man)ou can i make the noise-L.:^?nds, yoor to* iadonejHeres your cl^lwFatt&ell!—begone ! 3Iany thanks, s\ foyUis master, nci I _7cj je for. ur throats fiy for* Never did we sL Efer, sir, epftimanaWe will evening, and. everaiiO/iives One wholes us gold foknotes I Vf Silencafisilence, cease yourliwliug,Noptfke cats witfo caterwaulifikTake the neighbours—stop yo£.\ squalling^Rascals, or Ill dust your coast**! 7ior*Ui sends the serenadcri*^ftp>:£j)h-J/^ Fig. And go, my imaoth chinnd philosopher,you thought to deliver jour letter free from po«U«ge f quite impossible, 1 assure you. i I Ftor. And pray, Signor, who are you, and whatletter are you speaking of }• Fig. What letter? Why, the letter, the Utteryouve got in your pocket—the letter, that youwanted te convey to Rosina; and as to your 4 wSW°?.L«S* rojuisb, every thiogthafrin,triKUifig.—a:!,al», that*.the Barter, V*%<_ . *tor. And can you, with these prelensioas, des* ?\ !— :v ^r s t \ i . • . • /}/*/<• t/7 </ /*. /?&/*%*-. S*?*/? &*ut &t& A J ~ . r^l _ t V m, , ,wtm p THE t
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Keywords: ., bookcentury1800, bookdecade1810, bookidbarberofsevi, bookyear1818
