Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . re shortened onlv by ag-cntle withdrawing- of the tips of the fing-ers 3192 is: §20. As slurs often occur between two notes .only, they must not be confounded with thecharacters called Ties, as may be seen from the following* examples. Ties. _ r~^ i« i II Slurs^ i*\ f l I 1 -p -^h In N? 1. the tied quaver must not be struck ag-ain, but only be held down acc
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . re shortened onlv by ag-cntle withdrawing- of the tips of the fing-ers 3192 is: §20. As slurs often occur between two notes .only, they must not be confounded with thecharacters called Ties, as may be seen from the following* examples. Ties. _ r~^ i« i II Slurs^ i*\ f l I 1 -p -^h In N? 1. the tied quaver must not be struck ag-ain, but only be held down according to itsvalue; because both quavers belong* to one and the same key. But in N?2. all the quavers must be struck,beeause they indicate different keys, and theSlurs only denote that the one quaver must be connected to the other in the leg-ato manner. $21. In like manner the dots over or under the notes must not be confounded with thosewhich stand by the side of the notes: because, as is well known, the latter only protract theduration of a note, while the former indicate the detaching* or separating* of them. §22. TVTien short slurs are given to groups of 2 or 3 notes, the 2? or °dthis case played detached. <M. *_i a i W^-V g Lfg §23. This separation of the notes must be still more marked, when a dot stands over the24 or 3(! note. Ex: -pi- S ^^ 3s § 24. When, however, slurs are drawn over several notes, although the slurs are not con-tinuous, but are broken into several lines, they are considered as forming* but one, and noperceptible separation must take place. Ex: 4— —.,„
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
