In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: x cm (3 7/8 x 4 in.). Hamnaz, whose nose was bitten off by her dying lover, leans over her sleeping husband. She intends to frame him for causing the injury so that her affair will not be revealed. When Hamnaz’s nose is found in the mouth of th
In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: x cm (3 7/8 x 4 in.). Hamnaz, whose nose was bitten off by her dying lover, leans over her sleeping husband. She intends to frame him for causing the injury so that her affair will not be revealed. When Hamnaz’s nose is found in the mouth of the dead lover, her husband is absolved.
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