. Furniture for the craftsman; a manual for the student and machanic. Fig. 85 .^ Fig. 86 Fig. 87 Ornament in Furniture. in a rustic form, for it then generally becomes a bad copy of agood bit of detail, and we have all gone through with the rusticidea in its out-of-place use. Rather catch the suggestion of thelimb or bough and conventionalize it, as indicated in Fig. 87,which is as a mullion between case doors and branches out alike ESSENTIAL TOOLS AND EQUIPMENT 63 on either side along a headboard. Such a treatment, as well asthat indicated in Fig. 85 and 86, cut in thin material, say 3-32in.,

---

. Furniture for the craftsman; a manual for the student and machanic. Fig. 85 .^ Fig. 86 Fig. 87 Ornament in Furniture. in a rustic form, for it then generally becomes a bad copy of agood bit of detail, and we have all gone through with the rusticidea in its out-of-place use. Rather catch the suggestion of thelimb or bough and conventionalize it, as indicated in Fig. 87,which is as a mullion between case doors and branches out alike ESSENTIAL TOOLS AND EQUIPMENT 63 on either side along a headboard. Such a treatment, as well asthat indicated in Fig. 85 and 86, cut in thin material, say 3-32in., is very effective when firmly glued on and will permit of thecarpenter producing ornamental detail of a better characterthan most incised or glued-on carving. There should be notrouble in these chipping or finally dropping off and becominga source of annoyance if care is taken and good glue is used withplenty of clamps at hand. A few invisible brads should also Fig. 89 1S}^^W&^^ Fig. 90

---

Size: 2415px × 1035px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bo, bookcentury1900, bookdecade1910, bookidfurnitureforcraf01otte