. The potter's craft: a practical guide for the studio and workshop . > >» »• * NEW YORK D. VAN NOSTRAND COMPANY I 9 I O Hf THE NEW YORK mm A8T0R, LEN»>r AWO TILDEN FOUNOATIDWt, R ItIO L Copyright, 1910 BY D. Van Noiteahd Company . •• A bcMDk is written, not to multiply the voice merely,not to carry it merely but to perpetuate it. Theauthor has something to say which he perceives tobe true and useful, or helpfully beautiful. So far ashe knows, no one has yet said it; so far as he knows,no one else can say it. He is bound to say it clearlyand melodiously if he may; clearly, at all
. The potter's craft: a practical guide for the studio and workshop . > >» »• * NEW YORK D. VAN NOSTRAND COMPANY I 9 I O Hf THE NEW YORK mm A8T0R, LEN»>r AWO TILDEN FOUNOATIDWt, R ItIO L Copyright, 1910 BY D. Van Noiteahd Company . •• A bcMDk is written, not to multiply the voice merely,not to carry it merely but to perpetuate it. Theauthor has something to say which he perceives tobe true and useful, or helpfully beautiful. So far ashe knows, no one has yet said it; so far as he knows,no one else can say it. He is bound to say it clearlyand melodiously if he may; clearly, at all events, —Ruskin. Pref ace PREFACE This Book is the outcome of an experience extend-ing over a period of thirty-six years. Twenty yearsago it would have been impossible for the science ofceramics was not then born. Ten years ago it wouldhave been wasted for the Artist-potter in America hadnot arrived but now the individual workers are manyand the science is well established. Written teaching must be imperfect, but I have en-deavored to set down the exact
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1910
