. Orchestration . m^wj^^m pp « II est tombedansleau fTO3^ Jenelevoispasdei $p^?3>Ui=^h==±=£]^ftr-r-^ Ouest-il? ou est-il. f- =^ ^ V mil *> fm 1 For an explanation of the Harp-part see below, page 466. THE VIOLIN 361 Flutes. Oboes. English Horn. Bassoons. Melisande. Pelleas. 1st Violins. 2nd Violins. Violas. PiMpffe^^fil |n wm §\Uf-i m rfyfjirEp^ PP piup: ^JB f^ji PP \ IP \ i Ma ba-gue \ tttt P 1 ie erois la voirbriller. A single example of the Fingered Tremolo has already been quotedfrom Lohengrin} The student should notice carefully how it iswritten, as it is a good type of all such tre
. Orchestration . m^wj^^m pp « II est tombedansleau fTO3^ Jenelevoispasdei $p^?3>Ui=^h==±=£]^ftr-r-^ Ouest-il? ou est-il. f- =^ ^ V mil *> fm 1 For an explanation of the Harp-part see below, page 466. THE VIOLIN 361 Flutes. Oboes. English Horn. Bassoons. Melisande. Pelleas. 1st Violins. 2nd Violins. Violas. PiMpffe^^fil |n wm §\Uf-i m rfyfjirEp^ PP piup: ^JB f^ji PP \ IP \ i Ma ba-gue \ tttt P 1 ie erois la voirbriller. A single example of the Fingered Tremolo has already been quotedfrom Lohengrin} The student should notice carefully how it iswritten, as it is a good type of all such tremolos. Nowhere is theplayer asked to exceed the limits of a major third. This is a middle-register example. Such tremolos are very rarely used in the lowestoctaves, as some confusion is likely to result in the bass. The MeasuredFingered Tremolo, however, in which the notes are written out in fulland executed at their proper time-values, is often used by Wagner inthe Basses and Cellos. The student can easily find examples of thesein The Ring. There are many in Siegfried. Instances of the Fin-gered Tremolo in the upper octaves are so common nowadays thatthe difficulty of quotation is merely one of selection. A charm-ing example occurs in Pelleas et Melisande (Act II. Scene 1) atthe moment when the ring drops in the The pianissimoFingered Tremolo passing down through two octaves with the descend-ing Wood-Wind and
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