Doorsnede van baptistery Van Lateranen to Rome Roman magnificent mirror (serietitel) Cross-section of the Baptisterium lateranense to RomeSpeculum Romanae Magnificentiae (series title) Object Type: picture album leaf Object number: RP-P-2016-345-12Catalogusreferentie: Huelsen 11-4 (4) Description: A vertical cross-section of the Lateran Baptistery, Where: is visible through the interior font. Caption in Latin. The print is part of a album. Manufacturer : printmaker: Nicolas Beatrizet (attributed to) publisher: Giuseppe de'Rossi (I) (listed building) Place manufacture: printmaker: Italy Publish
Doorsnede van baptistery Van Lateranen to Rome Roman magnificent mirror (serietitel) Cross-section of the Baptisterium lateranense to RomeSpeculum Romanae Magnificentiae (series title) Object Type: picture album leaf Object number: RP-P-2016-345-12Catalogusreferentie: Huelsen 11-4 (4) Description: A vertical cross-section of the Lateran Baptistery, Where: is visible through the interior font. Caption in Latin. The print is part of a album. Manufacturer : printmaker: Nicolas Beatrizet (attributed to) publisher: Giuseppe de'Rossi (I) (listed building) Place manufacture: printmaker: Italy Publisher: Rome Date: 1517 - 1565 Physical features: etching material: paper technique: etching dimensions: plate edge: h 390 mm × W 495 mmToelichtingDeze print belongs to the print body known as the 'Speculum Romanae Magnificentiae "(" Mirror of Roman splendor). This corpus, consisting of prints with images of artworks and buildings from the ancient and modern Rome, stemmed from publishers Antonio Salamanca Antonio Lafreri. These two foreign publishers joined forces to Rome in the period 1553-1563. Their prints were soon very popular with tourists and collectors, which prints aanschaften individually or in large groups. Groups Speculum-prints were tied together often negotiated in albums. There are several Speculum albums narrated all different content. Between 1573 and 1577 Antonio Lafreri gave a special title page (entitled 'Speculum Romanae Magnificentiae) that could add people to their collections. The death of Lafreri in 1577 was not the end of the corpus. Much of the copper plates was about Claudio and Stefano Duchetti. The rest was distributed among various other publishers. The popularity of the Speculum-prints knew for some time publishers get inspire to make copies and add new pictures to corpus. Subject: baptismal font
Size: 1807px × 1382px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
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