![](http://www.alamy.com/thumbs/6/4789EB1C-ED54-48B2-8ABE-2466A750F045/2AN2G2H.jpg)
Moving Picture Age (1920) . ANOTHER WASTE OF must have taken lots of practise to becomeas expert as these men are in matching nickels. LAX SUPERVISION ALLOWS THIS. Crap-shooting isnt productive. These wastes of time are the fault of foremen and other executives. SUPPOSED TO BE AT WORK. That one long last retouch that costs us many thousands a year. Fifteen minutes after she is supposed to be at work. TIME-WASTERS CAUGHT BY THE MOVIE MAN. Illustrations by courtesy of Factory, Chicago bad for profits. But they were all drafts on the wage fundas well. Many of them were direct deductions f
Moving Picture Age (1920) . ANOTHER WASTE OF must have taken lots of practise to becomeas expert as these men are in matching nickels. LAX SUPERVISION ALLOWS THIS. Crap-shooting isnt productive. These wastes of time are the fault of foremen and other executives. SUPPOSED TO BE AT WORK. That one long last retouch that costs us many thousands a year. Fifteen minutes after she is supposed to be at work. TIME-WASTERS CAUGHT BY THE MOVIE MAN. Illustrations by courtesy of Factory, Chicago bad for profits. But they were all drafts on the wage fundas well. Many of them were direct deductions from earnings,only the workers did not know it. He decided to try motion-pictures; and the result is a film of a new and significant read: Mr. Patterson did not make the mistake of assuming that itwould be enough to set a movie operator at work snapping thebad practises he had noticed. The company has motion-picturecameras and operators of its own, but he did not make thatmistake. He appreciated that with movies as w
Size: 2071px × 1206px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1920, booksubjectmotionp, bookyear1920