Conte Antonio Maria Zanetti, the Elder. Young Woman Standing, Turned to the Right. 1724. Italy. Chiaroscuro woodcut from three blocks in yellow and two shades of gray on ivory laid paper Between 1720 and 1722, the Venetian printmaker and connoisseur Antonio Maria Zanetti traveled to London, where he bought a group of drawings by Parmigianino from Thomas Howard, 2nd Earl of Arundel. He used these drawings as inspiration for approximately 50 chiaroscuro woodcuts in three or four different colors. In this one, Zanetti drew from Parmigianino’s studies of the draped female figure. The inscription o
Conte Antonio Maria Zanetti, the Elder. Young Woman Standing, Turned to the Right. 1724. Italy. Chiaroscuro woodcut from three blocks in yellow and two shades of gray on ivory laid paper Between 1720 and 1722, the Venetian printmaker and connoisseur Antonio Maria Zanetti traveled to London, where he bought a group of drawings by Parmigianino from Thomas Howard, 2nd Earl of Arundel. He used these drawings as inspiration for approximately 50 chiaroscuro woodcuts in three or four different colors. In this one, Zanetti drew from Parmigianino’s studies of the draped female figure. The inscription on the left explains the reference to Parmigianino and dedicates the work to Zanetti’s “dear friend,” the print dealer Pierre-Jean Mariette.
Size: 1706px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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