. International studio. ed withhis work than was the wmk. andthe work was him, in avery exceptional de-gree. It is idle to find HOEING TOliA coBY GEORGE FCI I III THE TRIAL OF THE SALEM WITCHESBY GEORGE FULLER (Copyright, Art Institute ol Chicago) fault with a man who was soevidently born to do a thing ina given way. Perhaps it is butthat, through little more and little else than this to be whatof his desire we call inspired. Fuller, with all his modesty, could never have beenturned aside from hiscourse by a single hand-breadth. If he is notunique, I know of noAmerican painter whois
. International studio. ed withhis work than was the wmk. andthe work was him, in avery exceptional de-gree. It is idle to find HOEING TOliA coBY GEORGE FCI I III THE TRIAL OF THE SALEM WITCHESBY GEORGE FULLER (Copyright, Art Institute ol Chicago) fault with a man who was soevidently born to do a thing ina given way. Perhaps it is butthat, through little more and little else than this to be whatof his desire we call inspired. Fuller, with all his modesty, could never have beenturned aside from hiscourse by a single hand-breadth. If he is notunique, I know of noAmerican painter whois unique. Fullers biographydoes not serve to throwmuch light on the waysin which his life influ-enced the developmentof his artistic aims andideas. That he shouldhave wholly put asidehis brushes and palettefor some fifteen years,in the very midst of hisprofessional career, inorder to become afarmer, seems to havestruck some of the arthistorians as having agreat significance, butjust what that signi-ficance was they do not. I wo seventy-l wo J C L Y 192
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