Collar of Linen and Needle Lace, anonymous, c. 1625 - c. 1640 Lying smoothly, lined on a collar of linen with natural -colored needle side: Reticella and Punto in Aria. The shape of the collar is rectangular, with the long sides laid in a round shape by hand -sewing spine loads in the linen. The intermediary (Reticella) has a geometric pattern of squares, with two axes of symmetry. From the middle there are four spoon -shaped leaves in the squares of the squares containing punted palm flowers, surrounded by an edge of oval and triangles. The scalloped edge (Punto in Aria) always consists of a
Collar of Linen and Needle Lace, anonymous, c. 1625 - c. 1640 Lying smoothly, lined on a collar of linen with natural -colored needle side: Reticella and Punto in Aria. The shape of the collar is rectangular, with the long sides laid in a round shape by hand -sewing spine loads in the linen. The intermediary (Reticella) has a geometric pattern of squares, with two axes of symmetry. From the middle there are four spoon -shaped leaves in the squares of the squares containing punted palm flowers, surrounded by an edge of oval and triangles. The scalloped edge (Punto in Aria) always consists of a square with a wide edge of clocks interspersed by Driebladen. Each shell ends at the bottom with a drop -shaped motif. The motifs are connected to each other within the squares with short, sometimes picoted bars. The fullwork is made of closed feston stitches, decorated with recesses. Very faint relief along some contour lines. The collar is on the board, marked with a Gothic letter H and the number 2. The board was carried inwards. Italy (possibly)Northern Netherlands linen (material) Lying smoothly, lined on a collar of linen with natural -colored needle side: Reticella and Punto in Aria. The shape of the collar is rectangular, with the long sides laid in a round shape by hand -sewing spine loads in the linen. The intermediary (Reticella) has a geometric pattern of squares, with two axes of symmetry. From the middle there are four spoon -shaped leaves in the squares of the squares containing punted palm flowers, surrounded by an edge of oval and triangles. The scalloped edge (Punto in Aria) always consists of a square with a wide edge of clocks interspersed by Driebladen. Each shell ends at the bottom with a drop -shaped motif. The motifs are connected to each other within the squares with short, sometimes picoted bars. The fullwork is made of closed feston stitches, decorated with recesses. Very faint relief along some contour lines. The collar is on the board, marked with a
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