An introduction to the study of prehistoric art . ^.^«. ^ „- <: J Fig. 157.—Bushman engraving. (From Les Cavcrnes de la Region Cantahrique. After L. Peringuay.) spirit is shown in paintings on cork and leather, and in theincised and temporary coloured designs marked out on thetrround in connexion wMth their initiation and totemic cere-monies.^ Spencer and (;illen. The Central Tribes of Australia (1899); TheNorthern Trii/es of Central Australia (1904); Sir Geo. (irey, Journalof Tivo Expeditions (1841) ; lirough Smyth, Aborigines of Victoria, i., ; II., p. 359, Fig. 162; J. Ma
An introduction to the study of prehistoric art . ^.^«. ^ „- <: J Fig. 157.—Bushman engraving. (From Les Cavcrnes de la Region Cantahrique. After L. Peringuay.) spirit is shown in paintings on cork and leather, and in theincised and temporary coloured designs marked out on thetrround in connexion wMth their initiation and totemic cere-monies.^ Spencer and (;illen. The Central Tribes of Australia (1899); TheNorthern Trii/es of Central Australia (1904); Sir Geo. (irey, Journalof Tivo Expeditions (1841) ; lirough Smyth, Aborigines of Victoria, i., ; II., p. 359, Fig. 162; J. Mathew,/<:^. Anthrof. Institute, xxiii.(1894), p. 42; R. H. Mathew, Jo. Anthrop. Institute, xxv., p. 145,Plate XIV, and xxvi., p. 320, Plate XXXII ; P. W. Bassett Smith,Jo. Anthrop. Institute, xxiii., p. 324, Plates XVIII and XIX. MURAL DECORATION OF CAVKS 129. o> co tnM) C > t-H ClU W 0010 I30 PREHISTORIC ART Vi
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Keywords: ., bookcentury1900, bookdecade1910, bookidintroduction, bookyear1915
