Review of reviews and world's work . g, as the management opera houses promise their established reper- has touchingly confided, a salary list of S2,ooo,ooo), thirty-three are among these are Marie Delna, LeoSlezak, Edmond Clement, John Forsell,Lydia Lipkowska, Hermann Jadklower, andAnna Mettschik. Marie Delna is a Frenchcontralto of large reputation in Europe. Shehas sung both at the Opera and the OperaComique in Paris. Leo Slezak, the Czechtenor, was discovered by Gustav Mahlerand was for nearly a decade thereafter a con-spicuous member of the Opera at Clement,
Review of reviews and world's work . g, as the management opera houses promise their established reper- has touchingly confided, a salary list of S2,ooo,ooo), thirty-three are among these are Marie Delna, LeoSlezak, Edmond Clement, John Forsell,Lydia Lipkowska, Hermann Jadklower, andAnna Mettschik. Marie Delna is a Frenchcontralto of large reputation in Europe. Shehas sung both at the Opera and the OperaComique in Paris. Leo Slezak, the Czechtenor, was discovered by Gustav Mahlerand was for nearly a decade thereafter a con-spicuous member of the Opera at Clement, a French lyric tenor,comes from the Opera Comique in Paris;Jchn Forsell, baritone, comes from the Stock-holm Royal Opera; Lydia Lipkowska, so-prano, Anna Mettschik, contralto, and Her-mann Jadklower, tenor, are Russians. Lip-kowska has sung in St. Petersburg, iMoscow,and at the Chatelet Theater in Paris; Mett-schik comes from the Imperial Opera in Mos-cow; while Jadklower, though a native ofRiga, has sung for the most part in German. ilARGUERITE SYLVA. (The American soprano, who will be a member ofthe i-esiilar Manhattan company this winter.) toires. The Metropolitan, in addition, willrevive (among less important works) Glucks Orfeo, Webers Der FreischUtz, andVerdis Otello. The Manhattan willagain present Debussys incomparable Pel-leas et Melisande, Charpentiers entertain-ing Louise, Strauss Salome, and Mas-senets Thais ard Le Jongleur deNotre Dame, in addition to the perennialMascagni-Leoncavallo-Puccini repertoire andthe older French and Italian operas. also holds out a prospect ofperformances in a French version of Wag-
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