. Catechism of orchestration : (Introduction to instrumentation). I Io i EEEE /* efowi. PH £5>d5>- g P= I I fg3=^==^=i=i 3 ?•3 I°&2° IS- r :p=7 HC 9* rfi/n. molto. ü£ :ö: £?- 11-—- m/ /? p?M dim. I i rau - sehen - der Strom *=* P SS £ 2 £ P :fe—; • < -£^3& dim. CHAPTER III. THE ROMANTIC IDEAL. j x j These short samples of characteristic use of instru-ments for a definitely intended object must suffice to showthe aspiring composer the way he is to go. If he acquiresthe habit of listening attentively, every performance notonly of opera or of Church music with orchestra, but ofany ch
. Catechism of orchestration : (Introduction to instrumentation). I Io i EEEE /* efowi. PH £5>d5>- g P= I I fg3=^==^=i=i 3 ?•3 I°&2° IS- r :p=7 HC 9* rfi/n. molto. ü£ :ö: £?- 11-—- m/ /? p?M dim. I i rau - sehen - der Strom *=* P SS £ 2 £ P :fe—; • < -£^3& dim. CHAPTER III. THE ROMANTIC IDEAL. j x j These short samples of characteristic use of instru-ments for a definitely intended object must suffice to showthe aspiring composer the way he is to go. If he acquiresthe habit of listening attentively, every performance notonly of opera or of Church music with orchestra, but ofany choral work with orchestra will reveal to him theconstant endeavour of the composer to use the instru-ments characteristically for a double purpose, namely, first,to illustrate continuously, as far as can be done withoutgetting fragmentary, the meaning if not of every word,at least of every line or stanza, and secondly, to expressclearly the varying moods of the soul. I have alreadypointed out the parallelism between the forms of e
Size: 1600px × 1562px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectinstrumentationandor
