Christopher Crabtree in the Suds: "Dear, dear what can the matter be" 1807 Thomas Rowlandson In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: (2-3, 5-6) and title page (1).. Christopher Crabtree in the Suds: "Dear, dear what can the matter be". The Pleasures of Human L
Christopher Crabtree in the Suds: "Dear, dear what can the matter be" 1807 Thomas Rowlandson In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: (2-3, 5-6) and title page (1).. Christopher Crabtree in the Suds: "Dear, dear what can the matter be". The Pleasures of Human Life. Thomas Rowlandson (British, London 1757–1827 London). 1807. Hand-colored etching. Longman, Hurst, Rees and Orme (London). Prints
Size: 2663px × 1792px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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