Terracotta loutrophoros (ceremonial vase for water) ca. 340–330 Attributed to the Darius Painter On the body, above, obverse, male deity adjudicating between Persephone and Aphrodite regarding Adonis; reverse, seated youth and woman with three womenBelow, all around, youth at a stele (grave marker) between youths and womenOn the shoulder, obverse and reverse, head of a womanOn the lid, head of a womanThe Tarentine predilection for disciplined yet exuberant embellishment is applied here to an imposing vase with deeply serious iconography. In the primary scene, Persephone and Aphrodite, who

Terracotta loutrophoros (ceremonial vase for water) ca. 340–330 Attributed to the Darius Painter On the body, above, obverse, male deity adjudicating between Persephone and Aphrodite regarding Adonis; reverse, seated youth and woman with three womenBelow, all around, youth at a stele (grave marker) between youths and womenOn the shoulder, obverse and reverse, head of a womanOn the lid, head of a womanThe Tarentine predilection for disciplined yet exuberant embellishment is applied here to an imposing vase with deeply serious iconography. In the primary scene, Persephone and Aphrodite, who both laid claim to the beautiful hunter Adonis, await a judgment from the deity seated between them. He may be interpreted as Zeus or as Hades, ruler of the Underworld. Differing versions of the verdict allowed the hero to divide his time between the goddesses. In the zone below, a youth is isolated between a grave monument and a laver as figures approach from either side. The themes of death and the Underworld are complemented with luxuriant vegetation. The myth of the death and rebirth of Adonis is connected with seasonal change, and the abundant vegetation on this loutrophoros could symbolize rebirth, an appropriate theme for a funeral Terracotta loutrophoros (ceremonial vase for water). Greek, South Italian, Apulian. ca. 340–330 Terracotta; red-figure. Late Classical. Vases

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