. Programme . fung). Haydn, somewhatdazed, and rather vexed, replied: That is true; it is not a creation,and I doubt extremely whether it will ever equal it. According to Henri Beyle, when Vigano produced the ballet inMilan (the Scala, May 22, 1813), he interpolated the representationof chaos in Haydns Creation. The text-book of this ballet disappeared. When in 1891 there wastalk of a revival of the ballet in Vienna, a poet named Taubert wasasked to furnish a new one. The autograph score of the music alsodisappeared; but there is a MS. copy with Beethovens correctionsin the Vienna Court Librar
. Programme . fung). Haydn, somewhatdazed, and rather vexed, replied: That is true; it is not a creation,and I doubt extremely whether it will ever equal it. According to Henri Beyle, when Vigano produced the ballet inMilan (the Scala, May 22, 1813), he interpolated the representationof chaos in Haydns Creation. The text-book of this ballet disappeared. When in 1891 there wastalk of a revival of the ballet in Vienna, a poet named Taubert wasasked to furnish a new one. The autograph score of the music alsodisappeared; but there is a MS. copy with Beethovens correctionsin the Vienna Court Library. In the Finale there are two themes that Beethoven afterwardsused elsewhere. One of them, in E-flat major, is a Contretanz ( in the set of 12) as the theme of XV Variations and Fugue in riurAv^itch Bros. Present tte latest Importeci anci Original models in Tailorea Suits Go^v^ns Manteaux Riding riabits 344 Boylston Street PAINTING AND DECORATING 101 TREMONT STREETTELEPHONE. MAIN 4335 ROOM 211. BOSTON 162. M 1^ 9 0 PJEWETTlanOS WOODBURY STEINWAYSTEINERT DUO ART PIANOS PIANOLA PIANOS AEOLIAN PIPE ORGANS VICTOR VICTROLAS VICTOR RECORDS
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
