BARTOLOMEO, Fra (b. 1472, Firenze, d. 1517, Pian' di Mugnone) The Annunciation (front), Circumcision and Nativity (back) c. 1500 Tempera on wood, 19,5 x 9 cm Galleria degli Uffizi, Florence Stylistic elements make datable the diptych at the end of fifteenth century, probably among the works carried out by Baccio before he became a Dominican friar in July 1500. The pictures were conceived as doors of a little tabernacle commissioned by Piero del Pugliese: it had to enclose a lost marble Madonna by Donatello. The panels are in fact painted on both sides, representing on the front The An


BARTOLOMEO, Fra (b. 1472, Firenze, d. 1517, Pian' di Mugnone) The Annunciation (front), Circumcision and Nativity (back) c. 1500 Tempera on wood, 19,5 x 9 cm Galleria degli Uffizi, Florence Stylistic elements make datable the diptych at the end of fifteenth century, probably among the works carried out by Baccio before he became a Dominican friar in July 1500. The pictures were conceived as doors of a little tabernacle commissioned by Piero del Pugliese: it had to enclose a lost marble Madonna by Donatello. The panels are in fact painted on both sides, representing on the front The Annunciation in monocrhome and on the back Circumcision and Nativity. *** Keywords: ************* Author: BARTOLOMEO, Fra Title: The Annunciation (front), Circumcision and Nativity (back) Time-line: 1501-1550 School: Italian Form: painting Type: religious


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Photo credit: © Carlo Bollo / Alamy / Afripics
License: Licensed
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Keywords: artwork, paint, painter, painting, paintings