. Studio international . IT Ol Mil VK I I I \\ I III VGI H p ol ti inioiv nnd delicious in the rendition i • l 11, i ligln eii., .md the manifold rid io< k formations < lurlitl i admin i olH on hi Iped to to I till I I I. S fUDY. BY ALBER r V< )N KELLER Studio- Talk VIENNA.—It was a happy thought on thepart of the Hagenbund committee toinvite the leading artists of Sweden toexhibit in their gallery. The exhibition,which was held during the past autumn, was ineven- way a success, and for once even the criticswere agreed as to the general high quality of thework. Most of these arti
. Studio international . IT Ol Mil VK I I I \\ I III VGI H p ol ti inioiv nnd delicious in the rendition i • l 11, i ligln eii., .md the manifold rid io< k formations < lurlitl i admin i olH on hi Iped to to I till I I I. S fUDY. BY ALBER r V< )N KELLER Studio- Talk VIENNA.—It was a happy thought on thepart of the Hagenbund committee toinvite the leading artists of Sweden toexhibit in their gallery. The exhibition,which was held during the past autumn, was ineven- way a success, and for once even the criticswere agreed as to the general high quality of thework. Most of these artists, if not all of them, arealready known to the readers of The Studio,prominent among them being Anders Zom, whocontributed a collection of those etchings for whichhe is celebrated ; Ferdinand Boberg, who was anew-comer to Vienna ; Sigge Bergstrom, who sentsome characteristic wood-engravings, and CarlLarsson, whose pictures are more familiar to theViennese, for there is something in them whichmakes his work linger in the memory. The twinbrothers, Emil Oesterman and Gustav BernhardOesterman, both portrait-ists of repute, were well re-• 1. Emils doubleportrait. After the Ban-quet, attracted much atten-tion by the fine qua
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
