. International studio. and without thesocialistic tenden-cies oi the Englishgroup t ha1 revoltedagainst factorymethods in Society of Artsand Crafts gave thecraftsman the op-portunity for ex-hibiting his worka nd c r eati n g anewer an J wider A HOLY WATER FONT IN WROUGHT SILVER DESIGNED AND MADE BY GRACE HAZEN. A SILVER CHALICE DESIGNED AND EXECUTEDBY HELEN KEELING MILLS public interest in everydajobjects fashioned by hand. A few master silver-smiths living in Bostonstill clung to Colonial tra-ditions in the face of allobstacles. In the lasttwenty years they haveproduced silverwa
. International studio. and without thesocialistic tenden-cies oi the Englishgroup t ha1 revoltedagainst factorymethods in Society of Artsand Crafts gave thecraftsman the op-portunity for ex-hibiting his worka nd c r eati n g anewer an J wider A HOLY WATER FONT IN WROUGHT SILVER DESIGNED AND MADE BY GRACE HAZEN. A SILVER CHALICE DESIGNED AND EXECUTEDBY HELEN KEELING MILLS public interest in everydajobjects fashioned by hand. A few master silver-smiths living in Bostonstill clung to Colonial tra-ditions in the face of allobstacles. In the lasttwenty years they haveproduced silverware closelyfollowing Colonial types inform and feeling, that dis-play the eternal beautyof the earlier designs, yetpossess a certain individu-ality that naturally comes from a different age and the needs arising from sense, but candifferent living conditions. Not only is much of make this kindtheir work executed as skillfully and with as great of endeavor pa y .a reverence for beauty of line and simplicity of Through their cour-ornament as is displayed in some of the older ageous adherence toexamples, but certain pieces of utility, such as art ideals that the lovelorks and spoons, are made heavier and stronger, of their craft compels,for experience has taught the expediency of add-ing extra weight to points that in th
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
