Venice, from the Porch of Madonna della Salute ca. 1835 Joseph Mallord William Turner British Turner drew on his considerable experience as a marine painter and the brilliance of his technique as a watercolorist to create this view, in which the foundations of the palaces of Venice merge into the waters of the lagoon by means of delicate reflections. He based the composition on a rather slight pencil drawing made during his first trip to Venice, in 1819, but the painting is really the outcome of his second visit, in 1833. He exhibited this canvas to wide acclaim at the Royal Academy, London, i


Venice, from the Porch of Madonna della Salute ca. 1835 Joseph Mallord William Turner British Turner drew on his considerable experience as a marine painter and the brilliance of his technique as a watercolorist to create this view, in which the foundations of the palaces of Venice merge into the waters of the lagoon by means of delicate reflections. He based the composition on a rather slight pencil drawing made during his first trip to Venice, in 1819, but the painting is really the outcome of his second visit, in 1833. He exhibited this canvas to wide acclaim at the Royal Academy, London, in 1835. Buy a print Custom framed to suit your space. Venice, from the Porch of Madonna della Salute. Joseph Mallord William Turner (British, London 1775–1851 London). ca. 1835. Oil on canvas. Paintings


Size: 1959px × 1461px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No

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