. Art in France. -DAUBTGNY. THE BAXKS OF THE OISE. (The Louvre, Paris.) 54.—ROUSSEAU. THE SUNLIT OAK. (Mesdag Collection.) chromatic most austere aspectsof Nature are rich enoughto kindle the imaginationof the colourist. Hercopyists of this type areapt to forget her in thedelight they get from thevariations she inspires;more than once, we shallsee the robust trunk ofnaturalistic art bearing stray branches which putforth delicious but bar-ren Fiowers. Jules Dupres art, onthe other hand, was vigor-ous. He was not contentmerely to record an epi-sodic, curious, or amusingeffect; h
. Art in France. -DAUBTGNY. THE BAXKS OF THE OISE. (The Louvre, Paris.) 54.—ROUSSEAU. THE SUNLIT OAK. (Mesdag Collection.) chromatic most austere aspectsof Nature are rich enoughto kindle the imaginationof the colourist. Hercopyists of this type areapt to forget her in thedelight they get from thevariations she inspires;more than once, we shallsee the robust trunk ofnaturalistic art bearing stray branches which putforth delicious but bar-ren Fiowers. Jules Dupres art, onthe other hand, was vigor-ous. He was not contentmerely to record an epi-sodic, curious, or amusingeffect; he did not scatterhis attention by renderingthe grass, the moss andthe litde branches withtoo great composes strongly,. FIG. 756. — DIAZ. LA MARE AUX FEES.(the FAIRIES POOL.) (Gould Collection.) 359 ART IN FRANCE
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
