American art and American art collections; essays on artistic subjects . cross-lines in the here confine myself to the landscapes in the Journal: most of the figure subjects, whetherfrom the works of native or of foreign artists, being my own engraving, which therefore Imay be allowed to pass by. Two handsome volumes, American Painters and La7idscape tnAmerican Poetry, issued in 1880, contain the best of the more artistic work of the Journal:the latter volume with drawings on the wood by T. Appleton Brown, engraved by Anthony,Harley, Lauderbach, Bobbett, Andrew, and myself. At page 88 he
American art and American art collections; essays on artistic subjects . cross-lines in the here confine myself to the landscapes in the Journal: most of the figure subjects, whetherfrom the works of native or of foreign artists, being my own engraving, which therefore Imay be allowed to pass by. Two handsome volumes, American Painters and La7idscape tnAmerican Poetry, issued in 1880, contain the best of the more artistic work of the Journal:the latter volume with drawings on the wood by T. Appleton Brown, engraved by Anthony,Harley, Lauderbach, Bobbett, Andrew, and myself. At page 88 here I would remark on anotherspecimen of cross-lining, in the sky and water; the effect produced being a certain degree ofluminousness, pleasant and well worth the care bestowed. The same treatment applied to grassand herbage is not equally satisfactory. A large amount of illustrations of Art-manufactureoccupied, I suppose of necessity, the pages of the Art Journal during and after the Centennialyear. There was not much room for more than mechanical engraving in AN ELECTION IN CHARLESTON IN 1701. DRAWN BY W. L. SHEPPAKD. AMERICAN ART 487
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Keywords: ., bookcentury1800, bookdecade18, booksubjectart, booksubjectartists
