. Keramic studio. DOUBLE POPPY—HARRIETTE B. BURT (Treatment page 250) 240 nERAMIC STUDIO. D Ftfll size of center CHOP PLATE Nona L. White IVIDE the plate into ten sections letting your guide linesrun to the centre, which will help in exactness in plac-ing the centre decoration. Having carefully transferred thedesign and centre piece, go over the outline with a mixturecomposed of Ivory Black, one-third Deep Blue and one-thirdBrunswick Black, using a crowquill pen, making a firm andeven outline. All the keys and lines may be made with thisoutlining black, or they may be made with Gold. Personall
. Keramic studio. DOUBLE POPPY—HARRIETTE B. BURT (Treatment page 250) 240 nERAMIC STUDIO. D Ftfll size of center CHOP PLATE Nona L. White IVIDE the plate into ten sections letting your guide linesrun to the centre, which will help in exactness in plac-ing the centre decoration. Having carefully transferred thedesign and centre piece, go over the outline with a mixturecomposed of Ivory Black, one-third Deep Blue and one-thirdBrunswick Black, using a crowquill pen, making a firm andeven outline. All the keys and lines may be made with thisoutlining black, or they may be made with Gold. PersonallyI prefer Gold, and a line on edge of the plate, then fire. Second Fire—Tint from edge of plate to the flower—formsand centre (as indicated by dots in the design) with a Satsumacolor rather pale, composed of Yellow Brown, one-third PearlGrey, a touch of Deep Purple and a touch of Black; the blackgreys the color and brings all into harmony. Carefully cleanall leaves and flower forms and dry. For the large flowerforms use Light Violet of Gold, one-third Deep Blue tonedto a Grey Lave
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Photo credit: © Reading Room 2020 / Alamy / Afripics
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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
