. Studio international . pt-ability and more than com- .ibility if he is to do If Reynold nature and has Be» ured tin-lability l>y a ucation, sotrendy unopportunitymilil m ..i tbe pro him. n theivord . at the back, which are so common in Londonhouses, has undergone no change of ground-plan ;the general shape of the room has been left as itwas. Hut the unpleasant bareness of the long wallrunning from the front to the back of the househas been taken away by dividing the wall intopanels and by breaking the continuity of the widemoulding beneath the frieze with arched headingsto the
. Studio international . pt-ability and more than com- .ibility if he is to do If Reynold nature and has Be» ured tin-lability l>y a ucation, sotrendy unopportunitymilil m ..i tbe pro him. n theivord . at the back, which are so common in Londonhouses, has undergone no change of ground-plan ;the general shape of the room has been left as itwas. Hut the unpleasant bareness of the long wallrunning from the front to the back of the househas been taken away by dividing the wall intopanels and by breaking the continuity of the widemoulding beneath the frieze with arched headingsto the central panels. The ceiling, too, is panelledand enriched with plaster ornament in moderatelyhigh relief on the ribs between. In its forms thescheme of decoration is strong and yet quiet, with-out restlessness and without eccentric use of un-expected lines which would be out of keeping withthe general proportions of the room. There are, again, both strength and reticence inthe colour treatment. The ceiling, frieze, and. Recent Work by Mr. Reynolds-Stephens
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
