International studio . bination of the spirit of Pennsylvaniacountry architecture and his favorite adaptedTudor. In this adapted Tudor style of countryhouse he was at his best in some drawings of alarge country house, also exhibited. Oswald C. Hering and Janssen and .\bbott werepractically the only out-of-town architects in thisclass who exhibited this year, the latter showingthe same three renderings of well-designed countryhouses which were hung in the exhibition of theNew York Architectural League. Gardens received not a little attention—notableexhibits being a number of large groups of exc
International studio . bination of the spirit of Pennsylvaniacountry architecture and his favorite adaptedTudor. In this adapted Tudor style of countryhouse he was at his best in some drawings of alarge country house, also exhibited. Oswald C. Hering and Janssen and .\bbott werepractically the only out-of-town architects in thisclass who exhibited this year, the latter showingthe same three renderings of well-designed countryhouses which were hung in the exhibition of theNew York Architectural League. Gardens received not a little attention—notableexhibits being a number of large groups of excel-lently taken photographs by T. W. Sears, land-scape architect, of Pro\idence, R. I. These weremostly taken in England, and show not only thecharm of the English garden but the discrimina-tion and taste of the photographer in his selec-tions and arrangements. Charles W. Leavitt, ofNew York, showed photographs of the HaskellGarden, at Red Bank, N. J.—a garden which maybe reckoned among his most successful iini PROVOSTS TOWER UNIVERSITY OF PENXSVLVAXIA DORMITORIES Aiuiual Architectural Exhibition in Philadelphia There was but one exhibit of sculpture thisseason, and very little mural painting or craftwork. Such entries as were made in these classes,however, were of considerable interest and excel-lence. Charles Basing showed a charming dec-orative painting in the form of a triptych. It iscalled Pastorale, and shows a shepherd, with hisflock, beneath a sunlit wood, where long slantingsunbeams and shadows through the trees make adelicate play ujuin the flower-strewn grass underfoot. Mr. Hewlitt showed the three-part deco-rative painting. The Home Garden, which was seenat the New York exhibition. .other decorative painting, reshown and madeonly more welcome by this opportunity to see itagain was W. T. Bendas frieze, The is a spirited rendering, whimsical, yet full ofan almost Hellenic joy of Hfe. The whole com-position vibrates with the sort of joie de v
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