Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art . The —/,. Plus Transition. Along the Shore—Photo by Geo. Butler Transitional Line hk ^Sfl • ^^j^^^ IBlifiSIif flll^^^p \ v^ 1k^ ^^BS^^^BSSTj-: ? ^SSM ,-V:,- :m^^^ ii W ^ /&,:.• .. •V: I^^^^H^^ » ? 4^^^^^^^^^n^^^^^,--.^:-- ^N / t^^ .^ttH J Wl ussssraB ?I^Pfli^nRPR^WC Pathless—P/ioto by A. Horsley IlintonTransitional Line PICTORIAL COMPOSITION This is one of the subtlest and most necessaryprinciples in landscape composition. The illus-tration herewith is of the si
Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art . The —/,. Plus Transition. Along the Shore—Photo by Geo. Butler Transitional Line hk ^Sfl • ^^j^^^ IBlifiSIif flll^^^p \ v^ 1k^ ^^BS^^^BSSTj-: ? ^SSM ,-V:,- :m^^^ ii W ^ /&,:.• .. •V: I^^^^H^^ » ? 4^^^^^^^^^n^^^^^,--.^:-- ^N / t^^ .^ttH J Wl ussssraB ?I^Pfli^nRPR^WC Pathless—P/ioto by A. Horsley IlintonTransitional Line PICTORIAL COMPOSITION This is one of the subtlest and most necessaryprinciples in landscape composition. The illus-tration herewith is of the simplest nature but theprinciple may be expanded indefinitely as it hasto do both with lateral and perspective balance. In the Death of Caesar, ^ the perspective lineof the statues and the opposite curve in the floorare continued through the opposing mass of col-umns and wall to the court beyond, a positivecontrol of the distance by the foreground, beingthus secured. Transition of Line. More effective than opposition, as the cross baris more effective for strength than the bar sup-ported on only one side, is Transition^ or thesame item
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectartcriticism, bookyea
