. Keramic studio. rthe others which are fully ripe. Those not yet highly coloredmay be painted in Lemon Yellow and Grey. A brilliant reflected light, which is left white in the firstfire, is washed over in tlie last with Yellow Red. Much variety is found in the coloring of the grape leavesand the autumn coloring may be used with pleasing effect. A background in soft grey greens may be used with thisstudy, keeping depth back of bunches of grapes quite dark. CREPE MYRTLE (Page 261) Treatment by Jessie M. Bard FIRST Fire—-Paint leaves with Moss Green and BrownGreen, a little Shading Green. Stems
. Keramic studio. rthe others which are fully ripe. Those not yet highly coloredmay be painted in Lemon Yellow and Grey. A brilliant reflected light, which is left white in the firstfire, is washed over in tlie last with Yellow Red. Much variety is found in the coloring of the grape leavesand the autumn coloring may be used with pleasing effect. A background in soft grey greens may be used with thisstudy, keeping depth back of bunches of grapes quite dark. CREPE MYRTLE (Page 261) Treatment by Jessie M. Bard FIRST Fire—-Paint leaves with Moss Green and BrownGreen, a little Shading Green. Stems with BloodRed and Brown Green. For blossoms use Blood Redwith touches of Violet. Second Fire—For blossoms use Rose. Retouch leaveswith washes of Moss Green, accent with Brown Green andYellow Green. Paint background with Yellow, Violet,Brown Green. STUDIO NOTE Mrs. G. Ellison Weber will, after March 1st, occupy astudio on the second floor of Mrs. Filkins china store onMain St., Buffalo, N. Y. RERAMIC STUDIO 255.
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