. Architect and engineer. PLANS. THE DE COPPET HOUSE. NEW YORK. N. and Cauldwell. Architects OF special interest is the De Coppet House for thereason that it was for many years the home ofthe famous Flonzaley String Quartette. Placedbetween two typical brown stone fronts, thebuilding illustrates the changing style at the turnof the Century. THE ARCHITECT AND KNGINEER ^t 45 ^ JUNE, NINETEEN THIRTV-THREE. <mEm. BRIDGE IN BRONX PARK, NEW YORK, N. and Cauldwell, Architects THE ARCHITECT AND ENGINEER ^ 46 ? ; UNE, NINETEEN THIRTY-THREE WHAT PRICE CONFORMITY? A: .S American citi
. Architect and engineer. PLANS. THE DE COPPET HOUSE. NEW YORK. N. and Cauldwell. Architects OF special interest is the De Coppet House for thereason that it was for many years the home ofthe famous Flonzaley String Quartette. Placedbetween two typical brown stone fronts, thebuilding illustrates the changing style at the turnof the Century. THE ARCHITECT AND KNGINEER ^t 45 ^ JUNE, NINETEEN THIRTV-THREE. <mEm. BRIDGE IN BRONX PARK, NEW YORK, N. and Cauldwell, Architects THE ARCHITECT AND ENGINEER ^ 46 ? ; UNE, NINETEEN THIRTY-THREE WHAT PRICE CONFORMITY? A: .S American cities growdaily more like one another under the in-fluence of the modernist skyscrapervogue that threatens to sweep the countrylike an invading army, one is tempted toquestion whether these advanced manifes-tations of the Machine Age may not oftenbe the result of mistaken or ill-furnishedcivic ambition. One given to introspectionin such matters may well view with alarmrather than exultation the overwhelmingunification of our urban architecture, thatis progressing so ruthlessly at the expenseof, and too frequently w^ith utter disregardfor, local or regional styles. In somelocalities the insidious aspects of the prob-lem are not yet apparent, due to the lesserdegree in which they have responded tothis urge architecturally to blow offsteam with some attenuated symbol ofcongestion, though it stand in the midd
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