. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. he Sordino or Mute, effects the production ofa mysterious, veiled and voluptuous tonal char-acter, which, while possessing undoubted charm,should not be used too often. In scoring, theItalian term con sordino (with mute) is its use is to be discontinued the words senzasordino (without mute) are written in advanceof the particular place where the effect is tostop. The necessity of allowing amp
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. he Sordino or Mute, effects the production ofa mysterious, veiled and voluptuous tonal char-acter, which, while possessing undoubted charm,should not be used too often. In scoring, theItalian term con sordino (with mute) is its use is to be discontinued the words senzasordino (without mute) are written in advanceof the particular place where the effect is tostop. The necessity of allowing ample time inwhich to set and again remove the mute mustalways be borne in mind; this is very important Pizzicato played with the rig/if hand. in order that the even flow of a composition willnot be interrupted. Pizzicato is produced by plucking the stringswith a finger of either the right or left hand; itcan be executed either in single or double stopsas well as in arpeggio-like manner. It is desig-nated by the term Pizzicato (generally abbre-viated Pizz.); if the effect is to be discontinuedthe term coll arco (with the bow) or simply arco is used. Pizzicato executed with the left hand, r -f Pizzicato in which all the notes are executed by the fourth finger of the left hand. In the following examples the first note (t) is played with the bow, the second (+) is pluckedwith the 4th, and the third (+) with the 2nd finger of the left hand. A-String. D-String. *i: + t ++ f ++ f »++ »++ »+ f+ T + ii^^PP^^^^^t:gfes^B
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