. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature. Encyclopedias and dictionaries. CAD CAD " ExtiiK^iura nymp'nae crudeli funerc Daphnim ; Eclog. V. 20. Joy, on the otlic-r haiid, demands the rapidity of dac- tyles ; e. g. " Saltantes fatyros imitabitur ; Eclog. V. 73. To exprefs foftnefs, we mud feleA words confifting of many vowels, with fmooth and flowincr confonants ; and avoid fiich fylial)les as are compofed of feveral confonants, har(h elifions, and rongli letters or afpirates ; e. g. " Devenere locos lartos, et a
. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature. Encyclopedias and dictionaries. CAD CAD " ExtiiK^iura nymp'nae crudeli funerc Daphnim ; Eclog. V. 20. Joy, on the otlic-r haiid, demands the rapidity of dac- tyles ; e. g. " Saltantes fatyros imitabitur ; Eclog. V. 73. To exprefs foftnefs, we mud feleA words confifting of many vowels, with fmooth and flowincr confonants ; and avoid fiich fylial)les as are compofed of feveral confonants, har(h elifions, and rongli letters or afpirates ; e. g. " Devenere locos lartos, et amirna vireta Fortunatonim nemonim, ledefque ; Mu. VI. 638. In exprefling roughnefs, wc njuft chtife words which be- gin und end with an r, or which double the r ; rough con- ionnnts, as the x, or the afpirate h ; words formed of double confonants ; and elifions ; e. g. " Ergo xgre raflris terram ; Gcore. III. 534. Lightnefs and are expreffed by daftyles ; e. g. " Mox acre lapfa q\!ieto Radit iter liquidum, ctlcrcs neque commovet ; JEn. V. 216. Heavinefs, on the other hand, requires fpondees ; e. g. " JUi inter fefe magna vi brachia tollunt In nunicriini, verfantqnc tenaci forcipe ; Georg. IV. 174. Ill other cadences, words placed at the end have a pecu- liar force or grace ; e. g. " Vox quoquc per lucos vulgo exaudita filentes ; Georg. I. 476. See Order, Juncture, and Number. Cadence, in ReaHliig, the falling or lowering of the voice below the key note at the clofe of every period. The key-note, in fpeakinp,, is that tone or found with which the modulation commences, and it is generally continued through every complete fentence or period ; and to this the occafional inflexions of the voice, either above or below it, may be fuppofed to refer. Of courfe the tones that fall a little lower than the key at the clofe of a fentence or period, arc called cadences ; and they arc fometimes
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