. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . Chopin U n jrs *£ (m t^i^m-U^m *3> HffsHpfF V V 1 *i) Intercepted Passing-notes. — *2) The upper Neighbor of the Neighboring-note —rare, but sometimes fully recognizable. — *3) The d#, in each part, is an Anticipation. B. Analyze Mendelssohn, Song without Words, No. 12. — Beethoven, pfte. Sonata,op. 13, second movement (Adagio cantabile). — Chopin, Prelude, op. 28, No. 3. LESSON 70. Continuation of analysis; review par. 284: 1. Adagio. Ab I IV 0V I- 7 7 Vi/ ■IV V I *2) ta=
. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . Chopin U n jrs *£ (m t^i^m-U^m *3> HffsHpfF V V 1 *i) Intercepted Passing-notes. — *2) The upper Neighbor of the Neighboring-note —rare, but sometimes fully recognizable. — *3) The d#, in each part, is an Anticipation. B. Analyze Mendelssohn, Song without Words, No. 12. — Beethoven, pfte. Sonata,op. 13, second movement (Adagio cantabile). — Chopin, Prelude, op. 28, No. 3. LESSON 70. Continuation of analysis; review par. 284: 1. Adagio. Ab I IV 0V I- 7 7 Vi/ ■IV V I *2) ta=t =t *3) n j ,4 e> ^-» :eu* ?E£ <S< V- I _fj J i *=*-?- *W 1—r 1 1 o i^ta sjah ; SeS a rr-rriJ f V I Ab V I bb V I- V AbVI I70 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 284. P I I frr*—■ J. S. Bach. St. Matthew Passion 1 1 j—. *_ EEt 9M^ ;£=# W*F •^ m l m f p M m f r -<S-# kg- d2g± !l^ 9^§ 6S= 1?H^ B£ f=E 124; s ifc—*—* I I K -F -F- ■t 2-: • # 0—b -F^cf=F==|5^== IT 1 Hf-f-f +^-F- F-^s-F-F-F1] 0 F F *: *=F gop^ CTTT te^j^|^^^^^^ !<„ _FL ^ F F 1 -* f—*- Haydn. (Symph., E-flat) £** ?E^a£^G BrfJmr F #- SE^ «_* i £_* F *t 1 etc. ^ L 1 I =^S^ 3. Adagio molto ate :^=t .gftCf *... !=&-, IS—t IS atiZZft i^ F1 F rt at=t IZFt—*^—Ft f Par. 284. ANALYSIS. 171 y L \ ^^-J-i-*-h-FH—I—I 1—I—I—r— «M»-•*•■#■ £££**♦ •a) ,,: -i j * i *-
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