The End an illustration by Boris Artzybasheff
Artzybasheff was born in Kharkov, son of the author Mikhail Artsybashev. He is said to have fought as a White Russian. During 1919 he arrived in New York City, where he worked in an engraving shop. His earliest work appeared in 1922 as illustrations for Verotchka's Tales and The Undertaker's Garland. A number of other book illustrations followed during the 1920s. Dhan Gopal Mukerji's Gay-Neck, with his illustrations, was awarded the Newbery Medal in 1928. His book Seven Simeons was a Caldecott Honor Book in 1938. Over the course of his career, he illustrated some 50 books, several of which he wrote, most notably As I See. During his lifetime, however, Artzybasheff was probably known best for his magazine art. He illustrated the major American magazines Life, Fortune, and Time.[1]) He painted 219 Time covers from 1942 to 1966, including portraits of Louis Armstrong (21 February 1949) and Dave Brubeck (8 November 1954). Other illustrators of Time covers during this period, which has been called the golden age of Time covers, included Robert Vickrey, James Ormsbee Chapin, Bernard Safran and Boris Chaliapin.[2] During World War II, he also served an expert advisor to the Department of State, Psychological Warfare Branch. After 1940, he devoted himself to commercial art, including advertisements for Xerox, Shell Oil, Pan Am, Casco Power Tools, Alcoa Steamship lines, Parke-Davis, Avco Manufacturing, Scotch Tape, Wickwire Spencer Steel Company, Vultee Aircraft, World Airways, and Parker Pens. His graphic style is striking. In commercial work he explored grotesque experiments in anthropomorphism, where toiling machines displayed distinctly human attributes.
Size: 4960px × 7015px
Photo credit: © steeve-x-art / Alamy / Afripics
License: Royalty Free
Model Released: No
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