Arion spent a dolphin safety paintings in Palazzo Farnese in Rome (series title) Galeria nel Palazzo Farnese in Rome (series title) Arion brought by a dolphin in maritime safety. The print originally belonged to liber 22 of the Atlas of Rome from Michiel Hinloopen (Apparent Foot book 10) . Manufacturer : print maker: Carlo Cesio (indicated on object) to drawing of: Carlo Cesio (indicated on object) to a design of: Annibale Carracci ( listed on object) editor: François Collignon (listed property) provider of privilege: Alexander VII (listed property) Place manufacture: printmaker Rome to drawin
Arion spent a dolphin safety paintings in Palazzo Farnese in Rome (series title) Galeria nel Palazzo Farnese in Rome (series title) Arion brought by a dolphin in maritime safety. The print originally belonged to liber 22 of the Atlas of Rome from Michiel Hinloopen (Apparent Foot book 10) . Manufacturer : print maker: Carlo Cesio (indicated on object) to drawing of: Carlo Cesio (indicated on object) to a design of: Annibale Carracci ( listed on object) editor: François Collignon (listed property) provider of privilege: Alexander VII (listed property) Place manufacture: printmaker Rome to drawing from Rome to design: Italy Publisher: Rome grantor of privilege: Vatican Date: 1656 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 97 mm × W 152 mmblad: h 187 mm × W 242 mmToelichtingPrent of a set of prints with numbers from 1 to 29 (some of prints have the same number), plus title print and command, to the art in Palazzo Farnese in Rome. This post was originally part of liber No. 22 Atlas of Rome, from the collection Hinloopen. In this album were a number of print sets to famous seventeenth century fresco series tied. In 1709 has Apparent Foot ordered by the mayors of Amsterdam collection reordered. The prints from liber 22 were facing allegations in Apparent Foot book no. 10 dated the last series of the album is dated 1691. The album must be bound after this date. The band was dismantled in the Rijksakademie time. The margins of the prints are storing often drastically cut in the Print Room. A number of series, the prints were beaten back into the album fit. (See: Wallon, Jan van der The print treasure Michael Hinloopen Hague:.. SDU Publishing, 1988, pp 173-174.). Subject: (story of) Arion
Size: 1749px × 1429px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
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