. Moving pictures : how they are made and worked. c* e. xxvi ANIMATION IN NATURAL COLOURS 289 an extensive and well-equipped establishment especiallyfor colouring operations. Probably everyone knows what a stencil is. It is apattern cut out of a solid thin flat surface, which is after-wards laid upon the subject to be treated, and paint appliedby means of a brush or some other medium. The colour-ing only can reach the surface beneath the cut spaces inthe plate, and consequently is applied just where it isdesired. The process is practised freely in the printing ofwall-papers, and in applying de
. Moving pictures : how they are made and worked. c* e. xxvi ANIMATION IN NATURAL COLOURS 289 an extensive and well-equipped establishment especiallyfor colouring operations. Probably everyone knows what a stencil is. It is apattern cut out of a solid thin flat surface, which is after-wards laid upon the subject to be treated, and paint appliedby means of a brush or some other medium. The colour-ing only can reach the surface beneath the cut spaces inthe plate, and consequently is applied just where it isdesired. The process is practised freely in the printing ofwall-papers, and in applying designs to other surfaces, asit is both cheap, rapid, and highly effective. Cutting the stencils for a moving picture film is a longand exacting task. Three stencils have to be prepared foreach subject. In the first the spaces corresponding to thered tones in the picture have to be cut; in the second, thosefor the yellow; and in the third stencil, those for the putting one over the other the various mixtures andtones are obtained. The process ma
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