Principles of decorative design . Fig. 5S. Fig. 57. instances; l)ut, perhaps, I had better give treatments for the entire room, includingthe ceiling, and not for the wall simply. A good effect of a very plain and inexpensive character would be producedby having a black skirting, a cream-colour wall (.this colour to be made of the. Fitr, 5a colour called middle-chrome and white, and to resemble in depth the best purecream), a cornice with pale blue of greyish tint, with deep blue, white,and a slight line of red, and a ceiling of blue of almost any depth. The ceilingcolour to be pure F
Principles of decorative design . Fig. 5S. Fig. 57. instances; l)ut, perhaps, I had better give treatments for the entire room, includingthe ceiling, and not for the wall simply. A good effect of a very plain and inexpensive character would be producedby having a black skirting, a cream-colour wall (.this colour to be made of the. Fitr, 5a colour called middle-chrome and white, and to resemble in depth the best purecream), a cornice with pale blue of greyish tint, with deep blue, white,and a slight line of red, and a ceiling of blue of almost any depth. The ceilingcolour to be pure French ultramarine, or this ultramarine mixed with white anda touch of raw luiiber (the cornice blues to be made in the same way). The red
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